As the song progresses the backing elves come more to the fore, their gleeful chatter and strange clipped shrieks – “Ding-dong-ding! Wheeeee!” – tilting the song further from its expected axis. This emphasis on the treble is worked so “Ring My Bell” sounds tiny, not tinny: Ward – and particularly her backing singers – sound more elfin than sexual in their allure, and “Ring My Bell” has an eerie tint to it, like a fairyland temptation. “Ring My Bell” is a disco masterclass in how to use the treble – the bell itself (sounds like it’s off a bicycle!), the laserbeam bleeps, Anita Ward’s impishly breathy voice, and the skritch-skratch guitar in the middle of the stereo pan, halfway between a mouse and a typewriter.
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